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COMMENTARY
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By John Olesky
(BJ 1969-96)
When Harry Liggett visited our Tallmadge condo to
straighten out some problems I had with contributing to the BJ Alums blog after
I purchased a new computer with its superior – allegedly – software, it got me
to thinking about our days together on the State Desk.
After my 1954 graduation from West Virginia
University School of Journalism and till my 1996 retirement from the Beacon
Journal, I had a 43-year career on newspapers in Charleston and Williamson in
West Virginia, Glendive in Montana, Dayton and Akron in Ohio and St. Petersburg
in Florida. But the five years on the State Desk among my 26 at the Beacon
Journal were the jewels in my memory crown.
Why?
Well, State Desk Editor Pat Englehart, the man with
the ever-present DeNobil cigar, had a passion for getting the news, and getting
it right, that I didn’t see anywhere else in my career to such an extent. Oh, I
worked with a lot of good newsmen, and John S. Knight was the most remarkable
owner to allow me into his tent. But the fire in Pat was unstoppable. If a
siren went off in a vehicle passing the BJ building, Pat grabbed the phone to
find out what was up. And he pushed and even threatened his reporters to do the
same. It was easier to placate Pat rather than to face him if you handed in a
“horseshit” story.
That trickled down to everyone on the State Desk,
from Pat’s assistant State Desk editors like Harry Liggett and myself, to the
reporters in Medina, Portage, Stark, Summit and Wayne counties. Pat had the
entire staff as persistent in pursuing information as chipmunks were in making
Swiss cheese of my former Cuyahoga Falls lawn that surrounded The Pool That
Channels Built. There was a spine-tingling pride in putting together a story
that Pat liked.
It was this same incessant pursuit of journalistic
quality that made Pat the perfect point man for the Beacon Journal’s coverage
of the 1970 Kent State shootings by James Rhodes’ National Guard. Managing
Editor Bob Giles had Pat leave the State Desk to Harry and the others while the
Englehart energy focused on the KSU tragedy.
The boxes of evidence piled up,
with Pat cracking the whip and assigning reporters to check this angle and that
angle. There should have been a special place on the BJ’s Pulitzer for Pat’s
name because it was his drive that made it inevitable.
And you had to prove your stance to Pat every day.
The verbal fire was fast and furious. But both sides had the same goal: The
best dadgum stories we could ferret and write. And there was no resentment over
the journey. Once the job was done, we would go across the street to the
Printers Club and have a beer together and laugh about it all.
It was fun. I ran to work every day. It felt that
special.
There was Frances B. Murphey – her retort was “Go
to Hell!” in a way that made you feel appreciated – with her nearby clutter.
But if Fran wanted something, she could reach into the seemingly disorganized
pile and pull out the one piece of paper that she sought.
When I was put in
charge of handling one of the many newsroom furniture and wall-moving
reorganizations, Managing Editor Scott Bosley, a fellow West Virginian, told me
to “find a wall” away from the third-floor elevator so that visitors wouldn’t
see what looked like carnage surrounding Fran.
I did, arranging Fran’s desk so
that it was ensconced within three walls. Hey, I had to give her a place to get
in and out; otherwise, there would have been four walls and a private
dumbwaiter to get her in and out of her estate.
People like Bill Hershey and Jim Ricci, who went on
to larger and bright spotlights in the journalism world, still marvel and revel
at the electricity and magic that Pat created.
Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
However . . .
Oh my friend we're older but no wiser
For in our hearts the dreams are still the same
Those were the days, my friend. We thought they’d
never end.
But they did, in 1974.
The wake for the State Desk was EIGHT hours of
partying at Sanginiti’s. We laughed forever and a day.
With
apologies to Gene Raskin, the Limeliters and Mary Hopkin.
The excuse was to create a Super Desk. But I
suspect the real reason was to break up the empire that Pat had built. He
evoked such loyalty from his staff that I think others in management were
threatened by that.
Pat was given a small office that is the JSK Room
today, isolated from the newsroom and anyone who didn’t want to deal with his firebrand
journalism.
Harry got shunted to Makeup Man.
I was assigned to the Copy Desk, got a lot of late-night shifts that no
one else wanted and was called into Managing Editor Bob Giles’ office with Al
Fitzpatrick as a witness while Giles suggested it might be better if I found
employment elsewhere (my response was to join the Guild, since management had
broken the covenant I made with Ben Maidenburg, and be a union thorn in
management’s side by doing exhaustive research of mostly retirement issues when
contracts talks loomed; and, today, being the only Guild retiree who risked his
own money to file a lawsuit that BJ management settled that will restore
retirement-day benefits to maybe 50 retired printers, editors and reporters).
The breakup was complete.
And that magic never happened again.
Nothing seemed the way it used to be –
again, from “Those Were the Days” song.
Pat died in 1995 in Florida to a cancer that even
his Mogadore fighting spirit couldn’t defeat.
Fran, who began her newspaper career by tagging
along with her mother, Marie Thompson Murphey, as a child, died in 1998.
There’s a rest area in I-77 in Bath Township just south of I-271 with her name
on it, which is fitting considering her penchant for outhouses.
My daughter,
LaQuita, who does stained-glass work, once gave Fran a stained-glass outhouse
which Fran kept on her desk for weeks, then submerged it into the Boston
Heights mess of her Murpheydale house.
Harry and I have been retired for 16 or more years,
and dabble in blogs, such as this one, and high school newsletters via email.
I’ve traveled to 50 countries with Paula Stone Tucker, who as a reporter experienced
the State Desk chaos, euphoria and creativity in 1971 and 1972.
Those were the days, my friend. Too bad they came
to an end.
RIP,
Pat, Fran & the state desk . . .
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