Former Beacon Journal features department editor/columnist Connie Bloom
continues to have an interesting career as an art quilts guru. It’s a talent
described as creating fiber art that looks like paintings.
Connie has a 350 square foot studio
as the resident quiltmaker in Summit Artspace on the third floor at 140 E.
Market Street. It’s next door to the Akron Art Museum.
|
Connie Bloom with a quilt art piece |
You
also can visit Connie’s studio the first weekend of every month during Artwalk, which is 5-10 p.m.
Saturday and noon-4 p.m. Sunday. There’s art for sale, snacks and free rides
from Lolly the Trolley to all the studios in the art district.
Connie moved a few years
ago from her Red Light Galleries, 111 N. Main Street, next door to Luigi’s.
She is publisher/editor of QSDS (Quilt Service Design Symposium), a quarterly
online magazine about fabric art.
She married Bob Shields in 2008. They have been together for more than a
decade.
Connie once was married to former BJ Beacon magazine, Miami Herald Tropic and Hartford, Connecticut Courant magazine editor Lary Bloom, who taught writing at Trinity College for years. Lary is with CPTV/WNPR, the Connecticut Public Broadcasting Network, and lives in Chester, Connecticut.
Former Garfield High
majorette Connie has done art quilts for BJ reporter Kim McMahan, a memorial
for Kim’s late daughter Brooke McMahan, and for Maura McEnaney, who gave it to
her husband, former BJ sports department honcho Ken Krause, for Christmas. Ken
and Maura live in Medford, Massachussetts.
Summit Artspace has exhibited
works of past and current BJ artists Chuck Ayers, John Backderf, Art Krummel,
Dennis Balogh, Kathy Hagedorn and Brian Shellito.
Connie was part of the
2008 BJ exodus that saw more than 400 years of experience walk out the door.
Others included copy editors Charles Montague and Betsy Lammderding, reporter
Tracy Wheeler, sportswriter Brian Windhorst, photographers Ken Love and Lew
Stamp, librarian Diane Leeders, line-drawer/photographer
Ted Schneider and artist Dennis Earlenbaugh, .
It was the beginning of
a decimation that reduced the BJ staff to one floor – the third – and kick-started
attempts to rent out the first and second floors and the mezzanine to other
businesses.